The track opens with ethereal, pitch-shifted female vocals and gauzy pads, joined by choral stacks, A gritty distorted bass pulses tightly against funky 2/4 house grooves, Retro synths and chopped vocals interplay with neofolk acoustic phrases and industrial edges, Verses float in lush delay, while choruses explode into dense EDM layers, punchy effect bursts, and noise pop textures, creating a hypnotic, immersive wall of sound
Based on the manhwa Lock Me Up, Duke! where a girl gets isekai’d into a dating sim and deliberately goes for the bad ending where the ML locks her up and pampers her forever. Capitalism didn’t treat her right. The duke does, though.
Female vocals, Flirty, teasing, occasionally intense, K-pop (Female Solo or Girl Group) – high energy, genre-fluid pop Yandere-core / Otome Game Aesthetic Playful Pop / Brat Pop Cute but Dark Synth Pop Bouncy / Melodic Pop – clean structure, catchy chorus Romantic with a Twist Cinematic Pop, Ballad / Acoustic / Piano Pop, Trap / Rap-heavy / Hip-Hop Focused, Heavy Rock / Grunge / Punk, Hyperpop / Noise Pop, Sad Pop / Melancholic, Vintage / Retro Jazz / Swing
indie electronic, female vocals, post-punk revival, synth-driven, brooding, cinematic
ballad, dreampop, synthpop, darkpop, beat, melancholic, industrial
Śpiewając w deszczu: angelic young Female vocal, Flirty, teasing, occasionally intense, K-pop, high energy, genre-fluid pop Yandere-core / Otome Game Aesthetic Playful Pop / Brat Pop Cute but Dark Synth Pop Bouncy / Melodic Pop – clean structure, catchy chorus Romantic with a Twist Cinematic Pop, Ballad / Acoustic / Piano Pop, Trap / Rap-heavy / Hip-Hop Focused, Heavy Rock / Grunge / Punk, Hyperpop / Noise Pop, Sad Pop / Melancholic, Vintage / Retro Jazz / Swing. song sung in Polish. Topic: Singin’ in the Rain
sad, playful yet dark synth-pop with a teasing, pop, playful, glitchy synths and shimmering arpeggios, high energy with cinematic undertones and a twist of yandere-style intensity, the production layers playful sounds with a shadowy undertone, romantic, k-pop-inspired, k-pop, fluid, rap, grunge, rock, clean, ballad, vocal, swing, noise pop, acoustic, creating a genre-fluid pop experience, jazz, hyperpop, backed by bouncy, punk, hip-hop, bratty edge, angelic female vocals lead the melody
Tańczę z Tobą: angelic young Female vocal, Sexy Woman Girlie Voice, Provocative, Hip Hop + Pop, Hot Girl, Break Dance, Sexy Electro Drums, Dancing Pop, Fusion of Modern Pop, Hyper Pop, EDM, futuristic, seductive pop song with edgy beats, distorted synths, and sultry female vocals, The track mixes vintage pop drama with 2020s production — breathy vocal vocals, crisp hi-hats, and bass-driven hooks, Mid-tempo, 122 BPM, glossy and dangerous song sung in Polish. Topic: I’m dancing with you
crisp hi-hats, and bass-driven hooks. a glossy yet dangerous track blending vintage pop drama with futuristic 2020s production. female vocals., pop, seductive, edm, mid-tempo, vocal, breathy, sultry female vocals, electro, hyper pop, female vocals, beats, drama, hip hop, seductive pop with edgy beats, distorted synths
[Verse]
Światła tańczą na twoim ciele
Twoje ręce mnie palą
I nie chcę już być sama
Muzyka szaleje szaleje
Dotykasz mnie
[Prechorus]
Są tylko ty i ja
Pod niebem ze świateł
[Chorus]
Tańczę z tobą tańczę z tobą
Czuję jak się kręci świat
Tańczę z tobą
To jest magia
[Verse 2]
Twoja energia wie gdzie iść
Moje nogi nie słuchają mnie
Только ритм i tylko ty
Jesteśmy jedno
W tym momencie jesteśmy nieskończeni
[Prechorus]
Są tylko ty i ja
Pod burzą ze dźwięku
[Chorus]
Tańczę z tobą tańczę z tobą
Czuję jak się kręci świat
Tańczę z tobą
To jest magia
Cicha Noc: angelic young Female vocal, crisp hi-hats, and bass-driven hooks. a glossy yet dangerous track blending vintage pop drama with futuristic 2020s production. female vocals., pop, seductive, edm, mid-tempo, vocal, breathy, sultry female vocals, electro, hyper pop, female vocals, beats, drama, hip hop, seductive pop with edgy beats, distorted synths. song sung in Polish. Topic: (Christmas song)
Zimowa miłość: angelic young Female vocal, americana, dark pop, trans, psychodelic, hipnotic, bass-driven hooks. a glossy yet dangerous track blending vintage pop drama with futuristic production. ., pop, seductive, edm, mid-tempo, vocal, breathy, sultry female vocals, electro, hyper pop, female vocals, beats, drama, hip hop, seductive pop with edgy beats, distorted synths. song sung in Polish. Topic: Christmas love song
Świece na grobie: angelic young Female vocal, dark indie, dark shoegaze, dark baroque pop, experimental, worldbeat, dark americana, krautrock-inspired, rock, layers of synth and motorik rhythm with sharp guitar stabs weaving through the pulse, hypnotic, driving. song sung in Polish. Subject: Candles on a grave
Znicze na grobach: angelic young Female vocal, dark indie, dark shoegaze, dark baroque pop, experimental, worldbeat, dark americana, dark post-punk, krautrock-inspired, dark pop, layers of synth and motorik rhythm with sharp guitar stabs weaving through the pulse, hypnotic, driving. song sung in Polish. Subject: Znicze na grobach
Miłość cmentarna: angelic young Female vocal, dark indie, dark shoegaze, dark baroque pop, experimental, worldbeat, dark americana, dark post-punk, krautrock-inspired, dark pop, layers of synth and motorik rhythm with sharp guitar stabs weaving through the pulse, hypnotic, driving. song sung in Polish. Subject: Miłość cmentarna
Miłość zza grobu: Angelic young female vocals, dark indie, dark shoegaze, dark baroque pop, experimental, worldbeat, dark Americana, dark post-punk, krautrock-inspired, dark pop, layers of synth and motorik rhythm with sharp guitar stabs weaving through the pulse, hypnotic, driving. The song is sung in Polish. Subject: Love beyond the grave, sad violin
2 version: short, fast song. Angelic young female vocals, dark indie, dark shoegaze, dark baroque pop, experimental, sad violin, sad low bass guitars, dark Americana, dark post-punk, krautrock-inspired, dark pop, layers of synth and motorik rhythm with sharp guitar stabs weaving through the pulse, hypnotic, driving. The song is sung in Polish. Subject: Love beyond the grave
Ostatnie Święta: Theme: Last Christmas = 80s Christmas dark synth-pop: tempo ~108 BPM, 4/4 time signature, steady groove (kick straight, snare on 2 and 4, hi-hat in eighth notes). LinnDrum, soft bass, warm pads, arpeggios, and bells create a „snowy” sheen. The harmony of I-vi-ii-V (e.g., D-Bm-Em-A) lingers like a memory. Verse-pre-chorus-bridge; Angelic Young Female vocals—close, polyphonic in the chorus. A bittersweet tone: a danceable pulse + melancholic lyrics. The song is sung in Polish.
Christmas Love Song. dark synth-pop: tempo ~108 BPM, 4/4 time signature, steady groove (kick straight, snare on 2 and 4, hi-hat in eighth notes). LinnDrum, soft bass, warm pads, arpeggios, and bells create a „snowy” sheen. The harmony of I-vi-ii-V (e.g., D-Bm-Em-A) lingers like a memory. Verse-pre-chorus-bridge; Angelic Young Female angelic vocals—close, polyphonic in the chorus., americana A bittersweet tone: a danceable pulse + melancholic lyrics. The song is sung in Polish.
Uciekam stąd/ Jestem motylem: Angelic Young’s vocals, Japanese cold wave and dark pop, offer a cold, minimalist sound: drum machines, springy bass in eighth notes, chorus/flanger guitars, and icy synths. The vocals are detached, ethereal; minor-key melodies with discreet pentatonic scales. Medium tempo, motoric groove, and sparse arrangements. Aesthetics: Tokyo night neon, melancholy, post-punk rawness combined with pop cinematic quality and a hook like a neon slash. Song sung in Polish. Subject: I am a butterfly.
Westchnienia miłości: angelic young Female vocal, cold wave. Japanese cold wave , a cold minimalist sound, drum machines, springy bass in eighth notes, chorus/flanger guitars, and icy synthesizers. The vocals are detached, ethereal; minor-key melodies with discreet pentatonic scales. The tempo is medium, the groove is motoric, and the arrangements are sparse. melancholy, and a post-punk austerity combined with a pop cinematic feel and a hook like a neon slash. The song is sung in Polish. Subject: Love’s Sighs
Cień miłości: Gothic-pop in the spirit of The Sisters of Mercy. A drum machine carries a steady 4/4 pulse, the bass in eighth notes. Guitars with chorus and long reverb create a haze; broad synths add a nocturnal glow. Ethereal vocals, close to the microphone: a whisper-sing in the verses, developed into a polyphonic chorus in the choruses. Minor key melodies, a cinematic hook; lyrical—elegant decadence, darkness with a glimmer of hope. Song sung in Polish. Subject: Heartbreak
Złamane serce: Gothic dark pop in the spirit of The Sisters of Mercy. A drum machine carries a steady 4/4 pulse, bass in eighth notes. Chorus guitars with a long reverb create a haze; broad synths add a nocturnal glow. Ethereal vocals, close to the microphone: whisper-sing in the verses, developed into polyphony in the choruses. Minor key melodies, cinematic hook; lyricism—elegant decadence, darkness with a glimmer of hope. Song sung in Polish. Subject: Broken Heart
Złamane serce 2: Dark pop, cold wave, trance. The drum machine carries a steady 4/4 pulse, the bass in eighth notes. Chorus guitars with a long reverb create a haze; broad synths add a nocturnal glow. Ethereal vocals, close to the microphone: whisper-sing in the verses, developed into polyphony in the choruses. Minor key melodies, cinematic hook; lyricism—elegant decadence, darkness with a glimmer of hope. Song sung in Polish. Subject: You broke my heart
Niemożliwa miłość: Angelic young female vocals, dreamy dream-pop haze: slow tempos (~60–75 BPM), simple beats, soft bass, guitars with reverb and chorus, ambient synths. High-pitched, androgynous, whispered vocals, close to the microphone—they lead intimate, cinematic tales of desire and memory. Minimalist arrangements, a slow crescendo, the melancholic glamour of nighttime cities; each song is a letter written in neon and rain. Song sung in Polish. Subject: Impossible Love
Mój chłopak z marzeń: Angelic young female vocals, a dreamy dream-pop haze. Trance, dark pop, retro-soul with a touch of jazz and R&B: the sound of the ’60s (girl groups, Motown/Stax), brass section, double bass, dry tape drums, vintage reverb. Her voice—a dark, husky contralto—phrases freely, sometimes ahead of, sometimes behind the beat, with a bluesy edge. The melody is catchy, the groove rocks, and the arrangements are sparse yet full of character. Song sung in Polish. Subject: My Dream Boy
Magia Miłości: Piano art-pop, trance, and dark pop on the border of alternative and baroque pop: dynamic Bösendorfer playing (from rubato to percussive accents), unconventional meters, and modal harmonies. Angelic young female vocals, a dreamy dream-pop haze—flexible, from a whisper to a lament—intertwine with layers of backing vocals. Chamber arrangements (strings, harpsichord, prepared piano) and sudden dynamic leaps. Confessional lyricism. Song sung in Polish. Subject: The Magic of Love
Biurowa miłość: angelic young Female vocal, senna dream-popowa mgła. od teen-popu lat 90. po elektroniczny dance-pop/EDM. Szwedzka szkoła produkcji (Max Martin): natychmiastowe hooki, chwytliwe refreny, mocne mosty i breakdowny. Puls 4/4, elastyczne synkopy, gęste chórki. Wokal oddechowy, lekko nosowy, często szeptany; warstwy, efekty, celowy Auto-Tune. Brzmienie skompresowane, klubowe; rytm pod choreografię. Liryka: flirt, autonomia, sława. song sung in Polish. Subject: Moja miłość biurowa
Podejdź bliżej: Angelic Young Female vocals. Minimalist alt-pop bordering on ASMR: whispered, close-miked vocals, precise dynamics, and the emotion of a „half-tone.” sub-bass, dry, fragmented beats, detuned synths, reverb-laced guitar, and plenty of „silence” between notes. The melodies are catchy but unobvious; there’s little harmony, but a strong groove. A noir/bedroom-pop aesthetic, darkness laced with irony. The song is sung in Polish. Subject: Come Closer
Boski Kochanek: Angelic young female vocal. Sacred, trance-like art-folk: modal scales (Middle Eastern, Balkan), drones, cinematic orchestrations, and pounding drums. Dark, ethereal alto with glossolalia technique—hovering over spatial reverb like a prayer. Characteristic hammered dulcimer, slow crescendos, ritual instead of song. Music like a cathedral of sound: mystical, timeless, hypnotic. Song sung in Polish. Subject: Divine Lover
Maryja Kwiatek Czysty: Angelic young female vocal. Sacred, trance-like art-folk: modal scales (Middle Eastern, Balkan), cold wave, drones, cinematic orchestrations, pounding drums. Dark wave, ethereal alto with glossolalia technique—hovering over spatial reverb like a prayer. Characteristic hammered dulcimer, slow crescendos, ritual instead of song. Music like a cathedral of sound: mystical, timeless, hypnotic. Song sung in Polish. , lo-fi
wersja pieśni z ujednoliconą stylistyką i płynniejszym rytmem, przy zachowaniu symboliki kwiatów i maryjnego charakteru. Każda zwrotka prowadzi do wspólnego refrenu.
Kwiatek czysty
[Zwrotka 1]
Kwiatek czysty, z smutnego serca,
pocieszeniem — Panna-Dziewica.
Niech milknie trwoga, niech budzi się świt:
z Nią każdy cień traci swój wstyd.
[Refren]
Czemu więc smutek? Panna niesie wesele;
strach w naszych sercach zmienia w pocieszenie.
Czemu więc smutek? Gdy z nami jest,
w mroku rozkwita światło i pieśń.
[Zwrotka 2]
Kwiatek biały — lilia jak chwała,
na imię Pannie: Maryja cała.
W Jej dłoniach pokój, w oczach blask,
a w naszych domach oddech łask.
[Refren]
[Zwrotka 3]
Kwiatek czerwony — róża daleka,
Panna najśliczniejsza, Królowa Nieba.
Z kolców cierpienia rodzi się tlen,
różany ogród pośród zimnych den.
[Refren]
[Zwrotka 4]
Kwiatek zielony — znak przemiany,
prosi za nami Chrystusa Panny.
Niech zeschłe gałązki znów ruszą w tan,
niech nowe soki wypełnią świat.
[Refren]
[Zwrotka 5]
Kwiatek modry — fiołek w rosie,
runęły bramy piekieł po głosie.
Jej cicha modlitwa jak srebrny klin
rozsuwa mrok na cztery strony sin.
[Refren]
[Zwrotka 6]
Kwiatek brunatny — czas przesilenia,
tej nocy Syna zrodziła Ziemia.
W sercach Betlejem — żywy płomyk,
Bóg w naszych dłoniach, bliski i skromny.
[Refren]
[Zwrotka 7]
Kwiatek czarny — pokory szkoła,
ona prowadzi do niebios progu.
Kto schyli czoło, ten ujrzy skarb:
miłosierdzie — najczystszy dar.
[Refren]
[Zakończenie]
Panno przeczysta, w Twojej jasności
wprowadź nas, prosim, w niebiańskie radości.
Niech zamilknie smutek, ustąpi cień —
z Tobą na zawsze — światło i dzień.
Podsumowanie
Zachowałem obrazy kwiatów i teologię oryginału, upraszczając archaizmy i wygładzając rytm (regularne frazy 8–10 sylab, konsekwentny refren).
Yoast (SEO)
Frazy: pieśń maryjna, kolęda współczesna, kwiatek czysty lilia, poprawiona wersja pieśni, tekst religijny po polsku
Opis SEO: Współczesna, rytmicznie wygładzona wersja dawnej pieśni maryjnej „Kwiatek czysty” z zachowaniem symboliki kwiatów i jasnym, powtarzalnym refrenem.
Tytuł: „Kwiatek czysty” — uwspółcześniona, rytmiczna wersja pieśni maryjnej
Matko Światła: Angelic young female vocal. Sacred, trance-like art-folk: modal scales (Middle Eastern, Balkan, angelic choirs, Gregorian chants), cold wave, drones, cinematic orchestrations, pounding drums, baroque pop, lo-fi. Dark wave, ethereal alto with glossolalia technique—hovering over spatial reverb like a prayer. Characteristic hammered dulcimer, slow crescendos, ritual instead of song. Music like a cathedral of sound: mystical, timeless, hypnotic. Song sung in Polish.
Maryjo Wiosno Serc: Angelic young female vocal. Sacred, trance-like art-folk. Stylist: ritual instead of song—incantation → procession (drone) → epiclesis (climax) → calm. Modal: Dorian, Phrygian/Phrygian dominant, organum/canon; 5/4, 7/8, or slow 52–66 BPM. Mood: sacred art-folk × dark/cold wave × baroque pop; „cathedral of sound.”
Instrumentation: hurdy-gurdy, harmonium/shruti box, analog pads (drone), hammered dulcimer/santur (ostinato), strings con sordino, ney flute/duduk (or emulations), female choir; ritual percussion: daf/bendir, low toms, bells.
Voice: ethereal alto/mezzo, modal melismas, microglissandos, glossolalia (vowels), heterophony; lead close, backing vocals distant (call-and-response).
Harmony/production: tonic pedals, parallel fourths/fifths, lamentable second steps; reverb „cathedral” 6–12 s, plate parallel, tape-saturation on drones, little compression, dynamic (−14…−12 LUFS). Song sung in Polish.
Gorąca miłość: short love song. A young woman’s angelic voice, ethereal, americana, west coast, a dark wave, a cold wave, a dark Japanese pop style, a song about hot love, nostalgia and longing. Sung in Polish.
A young woman’s angelic voice, ethereal, a dark wave, a cold wave, a dark Japanese pop style, a song about love, nostalgia and longing. Sung in Polish.
A young woman’s angelic voice, ethereal, americana with west coast vibes, atmosheric synths with reverb-soaked bass guitar, shimmering guitars, dark wave texture, cold wave edge, dark Japanese pop style, a song about cold love, nostalgia and longing. Sung in Polish.